Does Violent Entertainment Make Kids Violent?

The following items are from Picturesque Tales of Progress, published by Book House for Children (available from Arttoday.com)


This is what Huns mean by "getting ahead."

Fun-loving Huns rampaging with a dead woman and infant in the foreground, about to ride over a body... those vultures bringing up the rear know a good thing when they see it! The Hun in the foreground sure knows how to get ahead (or "get a head") too!

And you think those movies with Arnold Schwarzenegger are too violent... here's what Romans did for entertainment. I've expanded the section that shows the audience's opinion of what should be done with the defeated gladiator: "You are the weakest link." Something tells me I'd rather be voted off the island in "Survivor."

Well, they certainly used a lot of red ink at "Book House for Children." This one shows Hortius Cocles defending a bridge against the Tuscans (right) while the Romans (left) destroy the bridge. There is, of course, no graphic violence in a staid 19th century poem by Thomas Babbington, Lord Macaulay:
He reeled, and on Herminius he leaned one breathing-space;
Then, like a wild-cat mad with wounds, sprang right at Astur’s face.
Through teeth, and skull, and helmet so fierce a thrust he sped,
The good sword stood a hand-breadth out behind the Tuscan’s head.
There's nothing like a good, wholesome Greek classic for kids... this is far more educational and cultured than most of the junk that's on television nowadays. (I got this one in eighth grade, as I remember.) Bronze Age "Mortal Kombat" at its best:

Achilles now
like inhuman fire raging on through the mountain gorges
splinter-dry, setting ablaze big stands of timber,
the wind swirling the huge fireball left and right--
chaos of fire--- Achilles storming on with brandished spear
like a frenzied god of battle trampling all he killed
and the earth ran black with blood. Thundering on,
on like oxen broad in the brow some field hand yokes
to crush white barley heaped on a well-laid threshing floor
and the grain is husked out fast by the bellowing oxen's hoofs--
so as the great Achilles rampaged on, his sharp-hoofed stallions
trampled shields and corpses, axle under his chariot splashed
with blood, blood on the handrails sweeping round the car,
sprays of blood shooting up from the stallions' hoofs
and churning, whirling rims-- and the son of Peleus
charioteering on to seize his glory, bloody filth
splattering both strong arms, Achilles' invincible arms--

Homer, The Iliad, Robert Fagles' translation
Now let's try good old Will Shakespeare, not only acceptable but often required reading in the best 19th and early 20th century middle and high schools:
 
ACT II SCENE 3 The same. Before the gates of Harfleur

        [The Governor and some Citizens on the walls; the
        English forces below. Enter KING HENRY and his train] 

KING HENRY V How yet resolves the governor of the town?
        This is the latest parle we will admit;
        Therefore to our best mercy give yourselves;
        Or like to men proud of destruction
        Defy us to our worst: for, as I am a soldier,
        A name that in my thoughts becomes me best,
        If I begin the battery once again,
        I will not leave the half-achieved Harfleur
        Till in her ashes she lie buried.
        The gates of mercy shall be all shut up,
        And the flesh'd soldier, rough and hard of heart,
        In liberty of bloody hand shall range
        With conscience wide as hell, mowing like grass
        Your fresh-fair virgins and your flowering infants.
        What is it then to me, if impious war,
        Array'd in flames like to the prince of fiends,
        Do, with his smirch'd complexion, all fell feats
        Enlink'd to waste and desolation?

        What is't to me, when you yourselves are cause,
        If your pure maidens fall into the hand
        Of hot and forcing violation?
        What rein can hold licentious wickedness
        When down the hill he holds his fierce career?
        We may as bootless spend our vain command
        Upon the enraged soldiers in their spoil
        As send precepts to the leviathan
        To come ashore. Therefore, you men of Harfleur,
        Take pity of your town and of your people,
        Whiles yet my soldiers are in my command;
        Whiles yet the cool and temperate wind of grace
        O'erblows the filthy and contagious clouds
        Of heady murder, spoil and villany.
        If not, why, in a moment look to see
        The blind and bloody soldier with foul hand
        Defile the locks of your shrill-shrieking daughters;
        Your fathers taken by the silver beards,
        And their most reverend heads dash'd to the walls,
        Your naked infants spitted upon pikes,
        Whiles the mad mothers with their howls confused
        Do break the clouds, as did the wives of Jewry
        At Herod's bloody-hunting slaughtermen.
        What say you? will you yield, and this avoid,
        Or, guilty in defence, be thus destroy'd? 

This, mind you, is the play's hero. Note that Henry V is not threatening to order his men to sack Harfleur and massacre his inhabitants-- this was, in fact, contrary to his orders for the treatment of French civilians. He later acquiesces to the hanging one of his own men (Bardolph, a former drinking companion) for robbing a French church. However, once soldiers forced a city's defenses, their officers could no longer watch all of them and they did pretty much whatever they wanted.

But guess what... they didn't have school shootings, drug gangs, or violence in those days. It's not the guns, stupid (or the entertainment, stupid), it's American culture... which is being eaten away by the coercive collectivists, Serviles, and victim mentality panderers who are out to destoy it.

 

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